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This week, we’re featuring culture writer Rayne Fisher-Quann as part of our writer spotlight series.Rayne’s newsletter, internet princess, includes an advice column, audio essays, community discussion threads, and more. Through internet princess, Rayne aims to “create a community around nuanced, sharp, subversive cultural criticism that still remains grounded in compassion and empathy.”Read Rayne's work here:https://lnkd.in/ghUNSJH5
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Substack
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Today, we’re making two important additions to Notes. You can:- Post videos directly to Notes in the Substack app and on the web- Embed notes on external web pagesIndividual notes now have the power to send publishers thousands of dollars in paid subscriptions—it’s a growth machine for writers and creators built right into the place where they also publish their work. With these investments, we’re excited to see more movement and sound in the Notes feed as people explore possibilities beyond images and text. Read more:https://lnkd.in/eFKfvsps
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Podcasters on Substack are now earning more than $100 million in annual revenue, a number that’s more than doubled in the past year. Substack’s tools make it dead simple for anyone to independently create, publish, distribute, grow, and monetize a show, which can now be fully synced and discoverable on Spotify. To find out more, including how to sync your podcast between Substack and Spotify, head to https://lnkd.in/eYmMYYdU.
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Substack
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New theme and layout options for advanced customization, and new publication search: read more about how Substack supports a wide range of high-volume publishers, multimedia creators, and writers organizing their work into different sections: https://lnkd.in/eJBJA9wf
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Substack
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Dream up a show over breakfast and be making money from it by lunchtime. The cost of getting started with your podcast on Substack is zero. On Substack, a new generation of audio and video shows are thriving—built on the same foundation that fuels all of Substack: the long-term value of a real relationship between podcasters and subscribers. Take a look at these examples, and read more about the future of shows on Substack: https://lnkd.in/es7wszDN
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Ever since we introduced a suite of audio tools in mid-2022, writers and creators have been using voiceovers to deepen their relationship with existing subscribers and reach new audiences. But voiceovers can be so much more than a simple read-aloud. To inspire you to experiment with these audio tools, here are some examples of how writers and creators are using them to enhance their Substack https://lnkd.in/eseUYDFH
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Substack
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We’re connecting culture makers and creatives all over the world with our new tools, a new world map, new team members, and a series of new Substack masterclasses running next week. Read more from our U.K. & Europe head of partnerships Farrah Storr: https://lnkd.in/eKFvHn6x
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Writer Anna Codrea-Rado’s audience on Substack remains the largest of all the platforms she’s on, and she’s not alone in starting from scratch and finding success on Substack. Here she speaks to some of Substack’s homegrown talent about their experience growing from the ground up, and shares some of their advice for writers: https://lnkd.in/gaXrAVBq
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With his reporting from the front lines of the Russia-Ukraine War going to new depths, Substack’s Clyde Rathbone speaks to independent journalist Tim Mak about the evolution of the industry, operating without a traditional newsroom infrastructure, and enjoying the autonomy of direct storytelling. Read the full interview: https://lnkd.in/ggFNzWGm
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